Process Journals




Transdisciplinary tools that organize learning and promote critical reflections


WHAT ARE THEY AND WHY USE THEM?

A process journal is more than just a music workbook.  It's a music diary or journal.  In it, students gather evidence of Criterion A (Knowing & Understanding).  Like a typical music workbook, they include written assignments, theory sheets, information sheets, and any other written work that gives them a deeper understanding of the topics being studied.  Where the Developmental Workbook is different is its relationship to Criteria B (Developing Skills), C (Thinking Creatively), and D (Responding).  We use the creative cycle in the Arts; the students' progress through the creative cycle - their process - is recorded in their process journal.

My students used to hate process journals.  They didn't know what to write and they didn't care about reflecting.  Over the years, I tried several different types of PJs (as we call them) until one year I finally happened upon my best practice - electronic PJs (which is feasible since I'm in a 1:1 laptop school). The electronic versions are so much better because students take ownership over their work.  I tell them they can use any software that accepts video files, which means I typically get Pages, Keynote, iWeb or iBook Author files.  The students take  pride in decorating their documents and personalising their work as much as possible.


WHAT'S IN A PROCESS JOURNAL?

A typical MYP Process Journal should include this:

- Title page about the student (your name and year level)
- Creative cycle title page (so you can look back and see how assessments work in music - see the image below)

- A summary of your gained knowledge about a particular topic about music history or theory
- Your written goals about your music piece
- Pieces of music composed, including a screen capture of the score, an MP3 file of the music, a photo of the student's ensemble group, and a video of their group performing their piece
- A chapter on how your music was composed, with graduated screen captures showing progress.
- Feedback given by family, friends, and/or teachers, as well as the students' written responses to that feedback
- Evidence of using the Creative Cycle, including planning write-ups, score mark-ups, progress videos, progress evaluations, reflections, progress evaluations, external feedback, responses to feedback, a final video, a final reflection, and a final evaluation



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